Witches – JOHNNY HAS THE KEYS

In 1630 New England, panic and despair envelop a farmer, his wife, and their children when youngest son Samuel suddenly vanishes. The family blames Thomasin, the oldest daughter who was watching the boy at the time of his disappearance. With suspicion and paranoia mounting, twin siblings Mercy and Jonas suspect Thomasin of witchcraft, testing the clan’s faith, loyalty, and love for one another.

The VVitch

Robert Egger’s directorial debut is a stunningly gorgeous, mature, and terrifying film that has already joined the ranks of such horror classics as The Exorcist (1973) and Rosemary’s Baby (1968). Yet, opinions of the film are vastly divided. Join us as we speculate why modern audiences have trouble embracing it. Listen, as Johnny Has the Keys goes back in time to colonial New England, where evil lurks in the nearby forest and surrendering your soul may be your only chance at survival.

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While investigating the murder of a family, a sheriff is puzzled by the discovery of a body buried in the basement. He brings the preserved corpse of “Jane Doe” to the coroner, Tommy Tilden (Brian Cox), and requests to have answers by morning. Tommy’s son and assistant, Austin (Emile Hirsch), stays to assist his father in the autopsy. During the stormy night, father and son uncover weird and creepy secrets they never would have anticipated.

Episode 11 The Autopsy of Jane Doe

The Autopsy of Jane Doe (2016) is one of those small films that you cannot help but root for. With an excellent cast, a slightly underdeveloped script, and masterful directing, it’s not a perfect movie, but well worth watching. Join us as we discuss the pros and cons of this unique film, its humble beginnings, and the further success of talented director Andre Ovredal. Listen as Johnny Has the Keys descends into the morgue where sinister secrets are revealed and that sound of footsteps dragging down dark, empty hallways may not be your imagination.