THE TERMINAL MAN (1974)—a brilliant yet troubled computer scientist becomes the subject of an experimental procedure to control his violent seizures. When the surgery implants electrodes in his brain, the results spiral out of control, unleashing unpredictable and deadly behavior. Based on Michael Crichton’s novel, the film explores the dangers of technological intervention in human nature, raising unsettling questions about free will, control, and the unforeseen consequences of tampering with the mind.
This week, Johnny Has the Keys ventures into the uneasy intersection of technology and psychology with The Terminal Man. Join us as we discuss the film’s exploration of human fragility, its unsettling atmosphere, and the moral questions posed by tampering with the brain. We’ll examine the performances, direction, and the eerie resonance of a story that feels increasingly relevant in an age of ever-advancing neuroscience.
SHOW LINKS:
- The Terminal Man (1974)
- Mike Hodges
- Michael Crichton
- Flowers for Algernon by Daniel Keyes
- Frankenstein (1931)
- Coma (1978)
- Charly (1968)
- Giallo
- Black Mirror (2011)
- The Shining (1980)
- The Ennis House
- Edward Hopper
Reach out to us…


