Ep. 08-28: Werewolf of London (1935) & An American Werewolf in London (1981)

WEREWOLF OF LONDON (1935)—Botanist Dr. Glendon travels to Tibet in search of a rare plant, only to be bitten by a mysterious creature. Returning to England, he discovers that the bite has cursed him: under the full moon, he transforms into a savage werewolf. Blending gothic horror with early werewolf mythology, the film explores the struggle between man’s civilized self and the beast within.

AN AMERICAN WEREWOLF IN LONDON (1981)—Two American backpackers are attacked by a werewolf while traveling in the English countryside. One is killed, and the other, David, survives—but finds himself slowly transforming into a werewolf himself. Combining shocking gore, dark comedy, and groundbreaking special effects, John Landis’s film is both a chilling horror story and a tragic exploration of fate, isolation, and the uncontrollable power of the beast within.

This week, Johnny Has the Keys takes a bite out of cinematic lycanthropy with Werewolf of London and An American Werewolf in London. Join us as we compare the early gothic atmosphere and suspenseful horror of the 1935 classic with the visceral effects, dark humor, and modern sensibilities of the 1981 reinterpretation. We’ll discuss transformations, makeup, storytelling, and the evolution of the werewolf on screen—from chilling folklore to unforgettable horror-comedy. Beware the full moon—it’s coming.

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08-27: Fantastic Voyage (1966) REDUX

FANTASTIC VOYAGE (1966)p—a team of scientists is miniaturized and injected into the bloodstream of a critically ill scientist to remove a life-threatening blood clot. Racing against time, they navigate the human body’s inner landscapes—veins, arteries, and organs—facing deadly hazards at every turn. A landmark in visual effects and imaginative storytelling, the film combines science fiction adventure with high-stakes medical suspense, exploring the possibilities and dangers of scientific ingenuity.

This week, Johnny Has the Keys shrinks down for a journey unlike any other with Fantastic Voyage. Join us as we explore the groundbreaking visuals, tense suspense, and inventive storytelling that make this film a classic of 1960s sci-fi. We’ll discuss the cast, inventive set design, and the thrilling concept of exploring the human body from the inside out. Buckle up—this microscopic adventure proves that sometimes, the biggest thrills come in the smallest packages.

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Ep. 08-26: The Terminal Man (1974)

THE TERMINAL MAN (1974)—a brilliant yet troubled computer scientist becomes the subject of an experimental procedure to control his violent seizures. When the surgery implants electrodes in his brain, the results spiral out of control, unleashing unpredictable and deadly behavior. Based on Michael Crichton’s novel, the film explores the dangers of technological intervention in human nature, raising unsettling questions about free will, control, and the unforeseen consequences of tampering with the mind.

This week, Johnny Has the Keys ventures into the uneasy intersection of technology and psychology with The Terminal Man. Join us as we discuss the film’s exploration of human fragility, its unsettling atmosphere, and the moral questions posed by tampering with the brain. We’ll examine the performances, direction, and the eerie resonance of a story that feels increasingly relevant in an age of ever-advancing neuroscience.

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Ep. 08-25: Natural Born Killers (1994)

NATURAL BORN KILLERS (1994)—Mickey and Mallory Knox blaze across America on a blood-soaked road trip, leaving chaos, corpses, and celebrity fascination in their wake. Hunted by the law and glorified by the media, the pair become symbols of violence-as-entertainment in a world obsessed with spectacle. Directed by Oliver Stone and written from a story by Quentin Tarantino, the film is a kaleidoscopic, satirical descent into love, madness, and media-fueled mayhem.

This week, Johnny Has the Keys takes a wild ride through Oliver Stone’s Natural Born Killers—a film as controversial as it is unforgettable. Join us as we discuss its explosive style, dark humor, and biting commentary on America’s obsession with fame and violence. From frenetic editing to powerhouse performances by Woody Harrelson and Juliette Lewis, we’ll unpack what makes this movie both mesmerizing and disturbing. Strap in—it’s going to be one hell of a trip.

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