Ep. 06-34: The Road (2009)

THE ROAD (2009)—In a bleak post-apocalyptic world, a father and son journey across a desolate landscape, struggling to survive while evading cannibalistic scavengers. As they navigate the ruins of civilization, they cling to hope and their bond, seeking refuge and a glimpse of humanity amidst the devastation.

THE ROAD (2009) carries the weight of Cormac McCarthy’s acclaimed novel, a literary masterpiece. Join us as we delve into why this film, directed by John Hillcoat, captures the haunting atmosphere and existential themes of McCarthy’s work. Listen, as Johnny Has the Keys treks through a desolate wasteland, scrounging to protect our offspring amid the ashes of a dying world.

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Ep. 06-33: King Kong (1933 & 2005)

KING KONG (1933)—a daring filmmaker and crew discover Skull Island, home to the colossal ape Kong. Capturing the beast for exhibition in New York, Kong escapes, creating chaos and tragic allure. A pioneering classic, the film combines groundbreaking effects with an unforgettable tale of beauty and the beast.

KING KONG (2005)—Director Peter Jackson pays homage to the original masterpiece with his visually stunning and emotionally resonant King Kong (2005). The plot is the same as the original, but this modern epic expands on the story, delving deeper into the relationship between Kong and Ann Darrow. 

Welcome to our sixth and final double-feature this season, where we embark on a colossal journey with the iconic King Kong! A cinematic marvel from the Golden Age of Hollywood, King Kong (1933) brings the colossal creature to life in breathtaking stop-motion animation. Jackson’s King Kong (2005) reimagines the classic tale for a new era, paying homage to the original masterpiece with this visually stunning and emotionally resonant film. Join us as we explore the timeless tale of the giant ape in both the classic and its modern counterpart. Listen as Johnny Has the Keys scales the jungles of Skull Island, a labyrinth filled with many monsters but only one king. 

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E. 06-32: On the Beach (1959) & The Day the Earth Caught Fire (1961)

ON THE BEACH (1959)—Set in a world devastated by nuclear war, On the Beach (1959) follows the lives of individuals in Australia awaiting inevitable radioactive fallout. As they grapple with impending doom, relationships form and unravel. The narrative unfolds with a poignant exploration of the human condition in the face of extinction, capturing the desperation, love, and humanity’s resilience in the shadow of impending catastrophe.

THE DAY THE EARTH CAUGHT FIRE (1961)—As Earth faces catastrophic climate changes because of simultaneous nuclear tests by superpowers, chaos ensues. Journalists investigate the anomalies, uncovering a government conspiracy to alter the Earth’s axis. Tensions rise as the world hurtles toward destruction.

Welcome to our fifth double-feature this season, delving into the apocalyptic realms of On the Beach (1959) and The Day the Earth Caught Fire (1961). Join us as we explore the poignant aftermath of nuclear war in the former and the consequences of global climate manipulation in the latter. Listen as Johnny Has the Keys awaits the inevitable end of humanity, bleak and remorseful because it is by our own hands. 

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Ep. 06-31: The Sorcerers (1967)

THE SORCERERS (1967)—revolves around an elderly couple, Professor Monserrat and his wife, who invent a mind-control device. They persuade a young man to be their experimental subject, giving them the power to experience his sensations. However, the experiment takes a dark turn as the couple becomes increasingly obsessed with the thrill of controlling another person’s actions, leading to tragic consequences.

This bizarre exploration of mind manipulation marks our inaugural venture into the realm of Michael Reeves. Join us, as we discuss why this oddity featuring the great Boris Karloff late in his career doesn’t fare so well today. Listen as Johnny Has the Keys revs up the mad scientist lab (in our apartment’s second bedroom) so that we can mesmerize the innocent and live vicariously through their actions.

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