Ep. 04-37: Mad Max – Fury Road (2015)

Years after the collapse of civilization, the tyrannical Immortan Joe enslaves apocalypse survivors inside a fortress called the Citadel. When the warrior Imperator Furiosa (Charlize Theron) leads the despot’s five wives in a daring escape, she forges an alliance with Max Rockatansky (Tom Hardy), a captive loner. Fortified in the massive, armored truck, the War Rig, they try to outrun the ruthless warlord and his henchmen in a deadly high-speed chase through the Wasteland.

Mad Max : Fury Road

Welcome to the future, fast-paced and action-packed… and a warm welcome back to uber-talented director, George Miller. Thank you for immersing us again in this incredibly imaginative world of yours. Join us as we discuss why Fury Road is far superior to even the leading contenders in car-chase, action features (enough so to earn six Oscars from 10 nominations!). Listen as Johnny Has the Keys journeys once again to the world of Mad Max—a desolate, post-nuclear wasteland where bullets are farmed, gas is gold, and survival is determined as quickly as the flip of a coin… or a vehicle.

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Ep. 04-36: The Witch (2015)

In 1630 New England, panic and despair envelop a farmer, his wife, and their children when youngest son Samuel suddenly vanishes. The family blames Thomasin, the oldest daughter who was watching the boy at the time of his disappearance. With suspicion and paranoia mounting, twin siblings Mercy and Jonas suspect Thomasin of witchcraft, testing the clan’s faith, loyalty, and love for one another.

The VVitch

Robert Egger’s directorial debut is a stunningly gorgeous, mature, and terrifying film that has already joined the ranks of such horror classics as The Exorcist (1973) and Rosemary’s Baby (1968). Yet, opinions of the film are vastly divided. Join us as we speculate why modern audiences have trouble embracing it. Listen, as Johnny Has the Keys goes back in time to colonial New England, where evil lurks in the nearby forest and surrendering your soul may be your only chance at survival.

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Ep. 04-35: A.I. Artificial Intelligence (2001)

A robotic boy, the first programmed to love, David (Haley Joel Osment) is adopted as a test case by a Cybertronics employee (Sam Robards) and his wife (Frances O’Connor). Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David. Without acceptance by humans or machines, David embarks on a journey to discover where he truly belongs, uncovering a world in which the line between robot and machine is both vast and profoundly thin.

A.I. – Artificial Intelligence

A.I. Artificial Intelligence (2001) is really the vision of two different directors, Steven Spielberg and Stanley Kubrick. Join us as we discuss the evolution of this project and its collaborative progression from one director to the other. Join us as we discuss the pros and cons of the movies including, the screenplay, the talented cast (especially Osment and Law), and special effects. Listen, as Johnny Has the Keys, ventures into a robotic future where again we ask that common sci-fi question… What does it really mean to be human?

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Ep. 04-34: The Haunting (1963)

Dr. John Markway, an anthropologist with an interest in psychic phenomena, takes two specially selected women to Hill House, a reportedly haunted mansion. Eleanor (Julie Harris), a lonely, eccentric woman with a supernatural event in her past, and the bold Theodora (Claire Bloom), who has ESP, join John and the mansion’s heir, cynical Luke (Russ Tamblyn). Soon, strange sounds and mysterious events occur, and Eleanor comes to believe the house is alive and is addressing her.

THE HAUNTING

Welcome to the superbly haunted world of Robert Wise. We covered the recent Mike Flanagan series adaption of this movie in our first season, and now we’re tackling the first film adaption of the classic novel by Shirley Jackson. Join us as we discuss what makes this film a classic, including the sublimely talented Wise, the use of atmosphere over special effects, and the small but talented cast. Listen, as Johnny Has the Keys enter that the house where silence lay steadily and whatever walks there, walks alone.