Ep. 06-09: The Stepford Wives (1975)

 Joanna Eberhart (Katharine Ross) moves to the quiet town of Stepford with her husband (Peter Masterson) and children. The town seems perfect — maybe a little too perfect. There’s something not quite right with the suburb’s women: they’re vapid, unfathomably devoted to housework and completely subservient to their husbands. Joanna teams up with another recent transplant, Bobby (Paula Prentiss), to investigate the mystery of Stepford’s wives and makes a horrific discovery.

Today we return to the world of Ira Levin (Rosemary’s Baby) to a little sci-fi classic from the mid-1970s. The Stepford Wives (1975) is an ambitious, if not a very well-executed film. Join us as we discuss the pros and cons of the film, including the director, screenplay, and costumes. Listen, as Johnny Has the Keys travels to the quaint village of Stepford, where behind the gorgeous facade we discover sinister machinations lurking!
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Ep. 03-14: Rosemary’s Baby (1968)

Rosemary Woodhouse (Mia Farrow) and her struggling actor husband, Guy (John Cassavetes), move to a New York City apartment building with an ominous reputation and odd neighbors, Roman and Minnie Castevet (Sidney Blackmer, Ruth Gordon). Guy’s career suddenly blossoms and Rosemary finds herself pregnant. But something is not right. Rosemary becomes increasingly isolated and questions the origins of her pregnancy. She soon learns the diabolical truth.

Episode 314 “Rosemary’s Baby”

Rosemary’s Baby (1968) is a landmark in the canon of horror film history, specifically the sub-genre of satanic/witchcraft films. It may very well be the perfect storm of horror movies, featuring a controversial subject, a talented (but soon-to-be) controversial director, and having been released in a very turbulent time (the summer of love, Viet Nam, the Manson murders, etc.) Join us as we discuss the film’s continuing popularity and speculate on the reasons. Listen, as Johnny Has the Keys sublets an apartment in the iconic Dakota building, where suicides and death are commonplace, and where that baby you hear crying down the hall may be something far more sinister than it sounds.

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