Ep. 09-05: The Color Out of Space (2010) & (2019)

THE COLOR OUT OF SPACE (2010)—a small New England town is plagued by a strange and inexplicable force after a meteorite lands near a rural farm. As the mysterious presence begins altering the environment and those exposed to it, a local family descends into fear and madness. Inspired by H.P. Lovecraft’s classic story, this low-budget adaptation explores cosmic horror, isolation, and humanity’s helplessness against the unknown.

COLOR OUT OF SPACE (2019)—The Gardner family’s quiet life on a remote farm is shattered when a meteorite crashes onto their property, unleashing an alien force unlike anything on Earth. As the strange influence spreads, the land, animals, and family members begin to transform in horrifying ways. Also inspired by H.P. Lovecraft’s classic story.

This week, Johnny Has the Keys explores two visions of H.P. Lovecraft’s cosmic nightmare with The Color Out of Space. Join us as we compare these adaptations, examining their approaches to atmosphere, special effects, and the terrifying idea of an unknowable force beyond human comprehension. We’ll discuss the performances, the evolution of Lovecraftian horror on screen, and the strange beauty found in madness. Listen closely, as something from beyond the stars arrives, changing everything we know.

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Ep. 03-24: Nosferatu (1922 & 1979)

The mysterious Count Orlok (Dracula) summons Thomas Hutter (Jonathan Harker) to his remote Transylvanian castle in the mountains. The odd Count seeks to buy a house near Hutter and his wife, Ellen (Nina), in Bremen. When Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile, Orlok’s servant, Knock (Renfield), prepares for his master to arrive at his new home.

Episode 03-24 Nosferatu

Nosferatu (1922) is an immensely influential silent horror film, much more so than its lackluster remake, Nosferatu the Vampyre (1979). Join us as we discuss the copyright controversy between the original and the Bram Stoker estate, and the similarities and differences of both German films—the former containing iconic imagery that still resonates and influences today, and the latter which further proves that remakes are most often unnecessary… even with silent films! Listen as Johnny Has the Keys journeys to the Carpathian Mountains of Transylvania in search of the very first vampire film.

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