Ava Gardner – JOHNNY HAS THE KEYS

THE SENTINEL (1977)—A young fashion model, Alison Parker, moves into a Brooklyn brownstone, hoping for a fresh start. But strange neighbors, eerie occurrences, and a reclusive blind priest on the top floor hint at something sinister. As Alison unravels the building’s horrifying secret, she discovers a terrifying connection to her own past. A chilling mix of supernatural horror and psychological torment, The Sentinel (1977) is a nightmarish descent into paranoia, evil, and the gates of Hell itself.

Join us as we stroll the eerie corridors of The Sentinel (1977), a satanic horror film of the late 1970s. We’ll discuss its unsettling atmosphere, unique cast, and how it stacks up against other gateway-to-hell tales. From ghostly figures to religious horror, this film delivers plenty to dissect. Listen, as Johnny Has the Keys moves into a new apartment… only to find that some doors should never be opened, and some neighbors never truly leave.

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ON THE BEACH (1959)—Set in a world devastated by nuclear war, On the Beach (1959) follows the lives of individuals in Australia awaiting inevitable radioactive fallout. As they grapple with impending doom, relationships form and unravel. The narrative unfolds with a poignant exploration of the human condition in the face of extinction, capturing the desperation, love, and humanity’s resilience in the shadow of impending catastrophe.

THE DAY THE EARTH CAUGHT FIRE (1961)—As Earth faces catastrophic climate changes because of simultaneous nuclear tests by superpowers, chaos ensues. Journalists investigate the anomalies, uncovering a government conspiracy to alter the Earth’s axis. Tensions rise as the world hurtles toward destruction.

Welcome to our fifth double-feature this season, delving into the apocalyptic realms of On the Beach (1959) and The Day the Earth Caught Fire (1961). Join us as we explore the poignant aftermath of nuclear war in the former and the consequences of global climate manipulation in the latter. Listen as Johnny Has the Keys awaits the inevitable end of humanity, bleak and remorseful because it is by our own hands.

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